The Peace and Memorial Garden, located in Central Park, Dagenham, is a living memorial to all those who have suffered abuse, persecution and death during hostilities and war.
It has been designed by artist Anuradha Patel and the borough's Landscape Architect, Elizabeth Greenwood, in response to the call for a designated memorial, for individual and community contemplation and remembrance.
The garden contains distinctive features and designs, integrated into a similarly colour coded planting scheme, to create zones of reference, which convey the sentiments of the memorial. The result is an engaging and distinctive public space that encourages interaction, attention, thought and question.
A section of a poem by Brian Patten is reproduced, courtesy of the artist, as a literal statement of humanity and individual strength in the face of adversity.
The section is reproduced within the fence and seating design and for the purposes of conveying the full sentiment of the scheme, has been amended, by kind permission of the artist, to reflect non-gender status - replacing the word man, with person.
Colour is very important in the garden and is applied to represent the range of emotions and responses an individual may experience during times of great stress and conflict, whilst indicating life and hope for the future.
All the features, including planting, gates, seating, trellis and finials are colour coded, from the entrance through to the exit gates, to represent emotions such as despair, depression and desperation with dark reds and purples, emerging - through the colour wheel - to lighter blues and greens of the garden, its life and growth - through to bright orange and yellow, indicating hope, optimism, progression and a bright future.
The entrance gates from Rainham Road North are in purple and red colours and open onto the first section of the garden, designed as an awkward and enclosed space with closely planted trees, to give the impression of imprisonment.
The trees have red foliage or variegated or patterned bark and the planting is of predominately red or purple foliage, or flower. Purple or red wildflowers and bulbs will be planted next autumn to provide a continuity of colour throughout the winter period.
The Gates of Persecution signify threat and the risk of injury at its centre. The only way forward is through the Garden of Despair.
The circular Garden of Despair is surrounded by a 3 metre high trellis, with a spiked chain, representing imprisonment and posts, with spear-shaped finials, representing violence.
The colours of these finials change from dark purple near the entrance to bright yellow at the end. The planting is white, variegated leaved or with white flowers, indicating innocence and purity.
An existing yew forms the centre of the garden, which in itself is symbolic of loss, but this garden is for contemplation and although representing despair, is part of a living and ever changing environment, with seasonal variations to give hope for the future and the continuation of life and growth.
The sequence and colours of the seats relate to the changing stages in the garden, climbing plants on the trellis, thorns, foliage, budding plants and blossom. As you move through the garden, the colours of the seats become lighter and brighter as one progresses to Hope.
Views out of the Garden of Despair lead into The Garden of Hope.
The Garden of Hope provides views to the outside. Colourful bulbs will be planted next autumn with colourful flowering shrubs and grasses.
You leave the garden through the Gates of Hope, of bright golden yellow and a vibrant central feature, representing the sun, itself a source of life and growth. The designs signify leaving behind persecution and progression to the wider world.
Click image for larger version.
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